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Friendship does not produce offspring. If the next generation is in some way a sign of hope or a protest in the teeth of death, friends must find other ways to express hope and protest. A bereaved parent can see strange reflections of a spouse’s countenance in the face of a child. The result of their love is as obvious as a soiled diaper, as subtle as the quirk of an eyebrow.
And so friends must find other ways to make evident the fact that their love also triumphs over death, and that the project of that love does not end with burial. Marsden Hartley’s anguished painting memorializing Hart Crane makes their friendship tangible, sends it out into the world to have effects beyond the emotions he kept to himself. For St. Aelred, who described the practice of true Christian friendship as a project of spiritual transformation, making both partners more Christlike as they together seek to imitate Jesus’ sacrificial love, the project of a friendship is not complete until it has brought both friends to Heaven and into full communion with God. This kind of love is more than a two-person matter. There is no room for folie a deux. When love is a vocation, not merely an emotion or a season of the heart, it flows outward and transforms not only those who love and are loved, but those around them. The Holy Spirit proceeds from the love between the Father and the Son; children, typically, result from the love of husband and wife; what flows forth from the love between friends? Perhaps the art, theology, and memorials of friendship are one answer. Aelred used the memory of his late beloved Ivo to instruct the living monks who sought his counsel. He honored Ivo through this teaching and through his writing. It is as if the monks—and the readers of De Spirituali Amicitia down the centuries—have become spiritual children of these two men, taught and shaped by them, honoring them and bringing their love forward into the future.
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mmm. hmm.